---
product_id: 527808678
title: "Trust (Pulitzer Prize Winner)"
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---

# Trust (Pulitzer Prize Winner)

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## Description

WINNER OF THE PULITZER PRIZE FOR FICTION ONE OF THE NEW YORK TIMES ’S 100 BEST BOOKS OF THE 21ST CENTURY A NEW YORK TIMES BESTSELLER ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022 LONGLISTED FOR THE 2022 BOOKER PRIZE “Buzzy and enthralling . . . A glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery . . . Fun as hell to read.” — Oprah Daily "A genre-bending, time-skipping story about New York City’s elite in the roaring ’20s and Great Depression." — Vanity Fair “A riveting story of class, capitalism, and greed.” — Esquire "Exhilarating.” — New York Times Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds , a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit. Hernan Diaz’s TRUST elegantly puts these competing narratives into conversation with one another—and in tension with the perspective of one woman bent on disentangling fact from fiction. The result is a novel that spans over a century and becomes more exhilarating with each new revelation. At once an immersive story and a brilliant literary puzzle, TRUST engages the reader in a quest for the truth while confronting the deceptions that often live at the heart of personal relationships, the reality-warping force of capital, and the ease with which power can manipulate facts.

Review: Storytelling On Wall Street - Herman Diaz's 2023 Pulitzer Prize winning novel "Trust" absorbed me from beginning to end. For several days, I was captivated -- couldn't wait to get to it. This is a rarity for me. "Trust" is largely set in the financial district of New York City in the years surrounding the Great Depression. Here is a bare-bones summary of the story. The main character is a financier and trader, Andrew Bevel, the latest, and last, of a line of traders in his family. The reclusive Bevel amasses a large fortune during the 1920s and also manages to make money during the early stages of the Depression. Bevel's wife, Mildred, is the daughter of another New York State family with wealth and with intellectual interests. While Bevel concentrates on making his fortune, Mildred promotes educational, artistic, and cultural endeavors, particularly the development of 20th Century classical music. When Mildred dies in a Swiss sanatorium, in the 1930s, Bevel carries on but is somewhat less successful than in the days with his wife. After Bevel's death and lengthy wrangling over his estate, his palatial New York City home is turned into a museum. As is pointed out through "Trust", American literature has many works about New York City, the wealthy classes, the financial markets, and the nature of capitalism. This novel brings to it subject a strong sense of perspectivism. Bevel's story is told in four voices by four individuals, each with their own distinct voice and background. Each story has commonalities, but each is also different in terms of what happened and in terms of human relationships. The reader is left to think through the stories to come to an understanding of events and people. Showing and considering different points of view is integral to the humanities, whether history, literature, or philosophy, and to this novel. "Trust" considers city life, capitalism and greed, the arts, marriage, the relationship between imagination and realism, and more within its complex structure. It is challenging and mostly effective. Each of the four storytellers are fascinating both as writers and as themselves. The first, Harold Vanner, was a minor novelist of the day who wrote a heavily fictionalized novella about the Bevels titled "Bonds". It was fascinating to get hints about Vanner through the book and to read his account. The second part, "My Life" was written by Andrew Bevel himself, with help, and tells his story from his perspective and to rebut Vanner's book. The third and longest story is "A Memoir, Remembered" by Ida Partenza. She tells her tale from the standpoint of a 70 year old successful author. Partenza had been raised in poverty in Brooklyn by her father, an anarchist. At the age of 23, Bevel had hired her to help write his Autobiography. Partenza discusses her life with her father, how she came to be hired by Bevel, and how she became fascinated by the writing project and shaped it to her own as well as to Bevel's ends. The final section of the book, "Futures" consists of diary entries by Midred during her time in the Swiss sanatorium just before her death. Midred has a different perspective on the story and on her relationship with Bevel than do the other three storytellers. The reader will be encouraged to think about the world of financial trusts and about whom to trust among the four narrators, with their differing aims and perspectives. In his "Phaedrus", Plato has Socrates say that the written word can be revealing but also narrowing in its fixity. With the many earlier literary antecedents to Diaz's novel, I was reminded most of "Martin Dressler: The Tale of an American Dreamer" by Steven Millhauser which won the 1997 Pulitzer Prize for fiction. Martin Dressler is an American entrepreneur who, unlike Bevel was born to modest means. Dressler reaches the American dream of riches in New York City by founding a series of hotels before his businesses and his personal life come crashing down on his head. The story is a mix of realism and surrealism which captured something of the themes and locations of "Trust" in its own way. Unfortunately "Martin Dressler" has fallen into neglect. It deserves to be read both in it own right and as another voice on the themes of "Trust". "Trust" is a challenging, provocative novel about an aspect of the American dream and the American experience. Robin Friedman
Review: A novel that rewards sticking with it - Warning -- there's a bit of a reveal here. This novel, written in 4 parts, requires patience to find out what it's about, and if one sticks with it to the end, the reader realizes that it has been worth it. Written in 4 parts that from the titles of each seemed to be unconnected, when I started, I had no idea just what was going on. Was this single novel in fact going to be a group of 4 different stories? The first part I found difficult going, the writing style stilted and dated, though the story was interesting in an odd way. And then I moved on to part 2 and began to see that there might be a connection, maybe, but it wasn't clear just what -- but the writing style changed dramatically. Part 3 again is different, now a far more accessible writing style, and this is where we learn the tie between parts 1 and 3. The novel finishes with part 4, which in a way is a sort of epilogue, with a major twist on the truth of parts 1-3. Ultimately, when all the parts are integrated by the reader, this is a powerful book about the worlds of wealth in NY in the early 20th century, but more about personal relationships, ego, and self-deception. Well worth reading.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #821 in Books ( See Top 100 in Books ) #4 in Biographical Historical Fiction #7 in Biographical & Autofiction #83 in Literary Fiction (Books) |
| Customer Reviews | 4.1 out of 5 stars 39,528 Reviews |

## Images

![Trust (Pulitzer Prize Winner) - Image 1](https://m.media-amazon.com/images/I/910lg-mg-sL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Storytelling On Wall Street
*by R***N on December 27, 2023*

Herman Diaz's 2023 Pulitzer Prize winning novel "Trust" absorbed me from beginning to end. For several days, I was captivated -- couldn't wait to get to it. This is a rarity for me. "Trust" is largely set in the financial district of New York City in the years surrounding the Great Depression. Here is a bare-bones summary of the story. The main character is a financier and trader, Andrew Bevel, the latest, and last, of a line of traders in his family. The reclusive Bevel amasses a large fortune during the 1920s and also manages to make money during the early stages of the Depression. Bevel's wife, Mildred, is the daughter of another New York State family with wealth and with intellectual interests. While Bevel concentrates on making his fortune, Mildred promotes educational, artistic, and cultural endeavors, particularly the development of 20th Century classical music. When Mildred dies in a Swiss sanatorium, in the 1930s, Bevel carries on but is somewhat less successful than in the days with his wife. After Bevel's death and lengthy wrangling over his estate, his palatial New York City home is turned into a museum. As is pointed out through "Trust", American literature has many works about New York City, the wealthy classes, the financial markets, and the nature of capitalism. This novel brings to it subject a strong sense of perspectivism. Bevel's story is told in four voices by four individuals, each with their own distinct voice and background. Each story has commonalities, but each is also different in terms of what happened and in terms of human relationships. The reader is left to think through the stories to come to an understanding of events and people. Showing and considering different points of view is integral to the humanities, whether history, literature, or philosophy, and to this novel. "Trust" considers city life, capitalism and greed, the arts, marriage, the relationship between imagination and realism, and more within its complex structure. It is challenging and mostly effective. Each of the four storytellers are fascinating both as writers and as themselves. The first, Harold Vanner, was a minor novelist of the day who wrote a heavily fictionalized novella about the Bevels titled "Bonds". It was fascinating to get hints about Vanner through the book and to read his account. The second part, "My Life" was written by Andrew Bevel himself, with help, and tells his story from his perspective and to rebut Vanner's book. The third and longest story is "A Memoir, Remembered" by Ida Partenza. She tells her tale from the standpoint of a 70 year old successful author. Partenza had been raised in poverty in Brooklyn by her father, an anarchist. At the age of 23, Bevel had hired her to help write his Autobiography. Partenza discusses her life with her father, how she came to be hired by Bevel, and how she became fascinated by the writing project and shaped it to her own as well as to Bevel's ends. The final section of the book, "Futures" consists of diary entries by Midred during her time in the Swiss sanatorium just before her death. Midred has a different perspective on the story and on her relationship with Bevel than do the other three storytellers. The reader will be encouraged to think about the world of financial trusts and about whom to trust among the four narrators, with their differing aims and perspectives. In his "Phaedrus", Plato has Socrates say that the written word can be revealing but also narrowing in its fixity. With the many earlier literary antecedents to Diaz's novel, I was reminded most of "Martin Dressler: The Tale of an American Dreamer" by Steven Millhauser which won the 1997 Pulitzer Prize for fiction. Martin Dressler is an American entrepreneur who, unlike Bevel was born to modest means. Dressler reaches the American dream of riches in New York City by founding a series of hotels before his businesses and his personal life come crashing down on his head. The story is a mix of realism and surrealism which captured something of the themes and locations of "Trust" in its own way. Unfortunately "Martin Dressler" has fallen into neglect. It deserves to be read both in it own right and as another voice on the themes of "Trust". "Trust" is a challenging, provocative novel about an aspect of the American dream and the American experience. Robin Friedman

### ⭐⭐⭐⭐ A novel that rewards sticking with it
*by J***. on November 22, 2022*

Warning -- there's a bit of a reveal here. This novel, written in 4 parts, requires patience to find out what it's about, and if one sticks with it to the end, the reader realizes that it has been worth it. Written in 4 parts that from the titles of each seemed to be unconnected, when I started, I had no idea just what was going on. Was this single novel in fact going to be a group of 4 different stories? The first part I found difficult going, the writing style stilted and dated, though the story was interesting in an odd way. And then I moved on to part 2 and began to see that there might be a connection, maybe, but it wasn't clear just what -- but the writing style changed dramatically. Part 3 again is different, now a far more accessible writing style, and this is where we learn the tie between parts 1 and 3. The novel finishes with part 4, which in a way is a sort of epilogue, with a major twist on the truth of parts 1-3. Ultimately, when all the parts are integrated by the reader, this is a powerful book about the worlds of wealth in NY in the early 20th century, but more about personal relationships, ego, and self-deception. Well worth reading.

### ⭐⭐⭐ Too Many Cooks Spoil the Broth
*by A***A on February 14, 2023*

'Trust' by Diaz was long listed for the Booker Prize in 2022. It is a serious fictional work about capitalism, money and one of the richest and greatest stock traders/manipulators of all time. The first third of the novel is written by a fictional writer (not the author) in pretty straightforward narrative form and the writing is impeccable and quite inventive. We learn a great deal about the investor- Benjamin Rask, his family, his trades, his peculiar and idiosyncratic detached lifestyle, and his marrying a woman who also shares some of his quirks, if not particular strong feelings for him. Then the 'novel within the novel' ends and a brief autobiography by Mr. Rask (named Brevel in the book) commences. The writing here is rather listless, and little is added to the first part of the work. As this section concludes, a longer- in fact the longest section of the entire novel takes place, written by the young female secretary of Mr. Brevel in his later years. Frankly, I found this long section to be tired and uninspired, and it appears Hernan Diaz created this long section as a counterpoint to the capitalist system as we know it in the U.S. The secretary's father is a staunch communist and so it is ironic that the secretary is working for the biggest 'capitalist pig' on the planet. The secretary becomes the moral force of the work, and her opinions take on greater urgency as the work progresses. Or at least that is the intended hope of the author, as I read it. "Trust" then concludes with some journal entries written by the wife of Mr. Brevel. Honestly, I could have done without the four section vehicle of the work. It did no favors in showing me the 'truth' of who Mr. Brevel/Rask really was. Perhaps Mr. Diaz, who is a fine writer, felt that he could not write this novel in a traditionally narrative form and utilized the technique of multiple forms to showcase his work. As I read the later sections I asked myself the following questions. Why not include the secretary (and bring her in earlier than after Mrs. Brevel's death) in the original chapters of the original work? Perhaps the diaries of Mrs. Brevel could also have been incorporated as well, without resorting to the four separate narratives. I believe the book is important and has much to contribute to the novels about early 20th century capitalism in this country, so it is still a compelling read. Yet, I wonder how much more enjoyable it would have been if it had stuck to one narrative, instead of running on four tracks at once.

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*Last updated: 2026-05-22*