--- product_id: 47181750 title: "Heaven Upside Down" price: "£32.59" currency: GBP in_stock: true reviews_count: 8 url: https://www.desertcart.co.uk/products/47181750-heaven-upside-down store_origin: GB region: Great Britain --- # Heaven Upside Down **Price:** £32.59 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Heaven Upside Down - **How much does it cost?** £32.59 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.co.uk](https://www.desertcart.co.uk/products/47181750-heaven-upside-down) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description 2017 release. Heaven Upside Down is the tenth studio album by shock rock band Marilyn Manson. Includes the first single "We Know Where You Fucking Live". Marilyn Manson - the band - was formed by Marilyn Manson - the singer - in Fort Lauderdale, Florida, in 1989. Originally named Marilyn Manson & the Spooky Kids, they gained a local cult following in South Florida in the early 1990s with their theatrical live performances. In 1993, they were the first act signed to Trent Reznor's Nothing Records label. Until 1996, the name of each member was created by combining the first name of an iconic female sex symbol and the last name of an iconic serial killer, for example Marilyn Monroe and Charles Manson. Review: Business as usual - Marilyn Manson's 10th studio album sounds pretty much like most of his previous ones. And that is good, because his evolved brand of music keeps hard classic rock alive for me. And "hard" is a good word for it - the loud crunching guitars, the screaming vocals, the nihilistic lyrics, the (anti)religious references, the graphic language. My world would be more dull without it. Manson's gift for wordplay, especially biblical wordplay, is again utilized. In "Tattooed In Reverse" I find this line: "Your confession means nothing/So f*** your attrition/There ain't nothing in my hourglass/Just sand from a Dead Sea". In the same song, he pairs "bible" with "Babel". In "Say10" ( an obvious alias for the devil), he declares, "I'm all in the d*mn god-less/Fearless of the flood/or the blood of the coming Spring." Later on, he informs us that "a crown of thorns is hard to swallow", and he mentions the original brothers, "Cocaine and Abel". If you want some apocalyptic verse, how about this, from the title song: "I can hear the scream of trumpets, smell the ash and sulfur. Talons of battalions scratch at the sky, like black feathers and scorpion eyes." That song also contains this line, a rather unsettling fact of life that I never really thought about until now: "I don't attract what I want. I attract what I am." While I doubt these lyrics will win him the Nobel Prize for literature, they are not bad for a latter-day rock star Savonarola. And then there's the music. As with most good albums, the tracks that stand out are the ones that diverge from the tried-and-true formula, even if only slightly. On this album, the most noticeably creative track is also the longest, "Saturnalia" (7:59). It develops organically as it goes. It has a speedy foundation beat, and along the way it introduces and incorporates quietly ominous effects and sounds of distortion, which sometimes blend with, or alternate with, standard classic rock guitar. The vocal is for the most part more melodic than the average Manson vocal, subtly dark and frequently at low volume. Quite a trip. "Heaven Upside Down" is another track with a more melodic vocal, and in general it has a lighter touch for a Manson track, especially the first half. A couple of tracks are on the bluesy side: "Kill4me" and ""Threats Of Romance". And there are a couple that are distinguished by beats that diverge from the classic rock mold. "We Know Where You F****** Live" opens with a pulsing beat on both the bass and the bass drum. The other one, "Tattooed In Reverse", is modulated by a beat which is slightly funkified. The remaining tracks are all fine examples of Manson's usual loud, guitar-driven rock. While the album is not earth-shaking, I find it to be another good Marilyn Manson hard rock album. And that is good enough. Review: Great followup to The Pale Emperor - At first I didn't really see the greatness of this album compared to The Pale Emperor, which is my favorite Marilyn Manson album, but I actually think this one is a very worthy follow up to The Pale Emperor on further listening. Kill4Me is one of the catchiest songs Marilyn has ever made, with its earworm refrain and surprisingly electronic pop-influenced musical accompaniment. SAY10 is just the essence of what Marilyn Manson is. If you could condense Marilyn into one track, it would be SAY10. Threats of Romance is my favorite track on the album and it is a surprise that comes at the end. It has a great syncopated piano part in it that really sets it apart from all of the other songs. Probably the weakest song is Blood Honey. It's the only one that I kind of dislike, but all of the others are really fun, even Saturnalia, which took me a while to get used to but now I think it's really catchy. Great album. If Marilyn keeps up this streak this could be an even better era for his music than the 90s. ## Images ![Heaven Upside Down - Image 1](https://m.media-amazon.com/images/I/71h-HpIR5xL.jpg) ![Heaven Upside Down - Image 2](https://m.media-amazon.com/images/I/51F7MBrOX8L.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Business as usual *by S***A on May 22, 2018* Marilyn Manson's 10th studio album sounds pretty much like most of his previous ones. And that is good, because his evolved brand of music keeps hard classic rock alive for me. And "hard" is a good word for it - the loud crunching guitars, the screaming vocals, the nihilistic lyrics, the (anti)religious references, the graphic language. My world would be more dull without it. Manson's gift for wordplay, especially biblical wordplay, is again utilized. In "Tattooed In Reverse" I find this line: "Your confession means nothing/So f*** your attrition/There ain't nothing in my hourglass/Just sand from a Dead Sea". In the same song, he pairs "bible" with "Babel". In "Say10" ( an obvious alias for the devil), he declares, "I'm all in the d*mn god-less/Fearless of the flood/or the blood of the coming Spring." Later on, he informs us that "a crown of thorns is hard to swallow", and he mentions the original brothers, "Cocaine and Abel". If you want some apocalyptic verse, how about this, from the title song: "I can hear the scream of trumpets, smell the ash and sulfur. Talons of battalions scratch at the sky, like black feathers and scorpion eyes." That song also contains this line, a rather unsettling fact of life that I never really thought about until now: "I don't attract what I want. I attract what I am." While I doubt these lyrics will win him the Nobel Prize for literature, they are not bad for a latter-day rock star Savonarola. And then there's the music. As with most good albums, the tracks that stand out are the ones that diverge from the tried-and-true formula, even if only slightly. On this album, the most noticeably creative track is also the longest, "Saturnalia" (7:59). It develops organically as it goes. It has a speedy foundation beat, and along the way it introduces and incorporates quietly ominous effects and sounds of distortion, which sometimes blend with, or alternate with, standard classic rock guitar. The vocal is for the most part more melodic than the average Manson vocal, subtly dark and frequently at low volume. Quite a trip. "Heaven Upside Down" is another track with a more melodic vocal, and in general it has a lighter touch for a Manson track, especially the first half. A couple of tracks are on the bluesy side: "Kill4me" and ""Threats Of Romance". And there are a couple that are distinguished by beats that diverge from the classic rock mold. "We Know Where You F****** Live" opens with a pulsing beat on both the bass and the bass drum. The other one, "Tattooed In Reverse", is modulated by a beat which is slightly funkified. The remaining tracks are all fine examples of Manson's usual loud, guitar-driven rock. While the album is not earth-shaking, I find it to be another good Marilyn Manson hard rock album. And that is good enough. ### ⭐⭐⭐⭐⭐ Great followup to The Pale Emperor *by P***L on March 18, 2018* At first I didn't really see the greatness of this album compared to The Pale Emperor, which is my favorite Marilyn Manson album, but I actually think this one is a very worthy follow up to The Pale Emperor on further listening. Kill4Me is one of the catchiest songs Marilyn has ever made, with its earworm refrain and surprisingly electronic pop-influenced musical accompaniment. SAY10 is just the essence of what Marilyn Manson is. If you could condense Marilyn into one track, it would be SAY10. Threats of Romance is my favorite track on the album and it is a surprise that comes at the end. It has a great syncopated piano part in it that really sets it apart from all of the other songs. Probably the weakest song is Blood Honey. It's the only one that I kind of dislike, but all of the others are really fun, even Saturnalia, which took me a while to get used to but now I think it's really catchy. Great album. If Marilyn keeps up this streak this could be an even better era for his music than the 90s. ### ⭐⭐⭐⭐⭐ I love this *by E***A on May 11, 2024* I ordered this bc I’m getting my license soon and the car I’m going to be primarily driving has a cd player and this cd is so cool. I haven’t played it yet but I was SO excited to find out that the from cover of the cd is a book with the lyrics. 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