Tampopo (The Criterion Collection) [Blu-ray]

If you enjoy humorous peeks into another culture, it's got it all: Ramen, Street Fights, Etiquette Lessons, Stinky Abscess, Unhoused Bon Vivants, and more.

This is a phenomenal movie if you haven't seen it - very funny and iconic. It's the kind of movie you remember for a while after watching and chuckle to yourself about the funny scenes. This is also a great release - criterion always gets you the best audio and visual fidelity as well as great accompaniments in the package with random things relating to the movie. I love it

This is one of those quirky movies that it seems only the Japanese can make. The film publicity calls it the first ramen western, riffing on the term spaghetti western, and is true to that for if you watch there are many western tropes, from the hat the 'hero' wears to the atmosphere, and, most amusingly, the last scene. The main story is how a truck driving drifter and his buddy (Ken Watanabe in an early role), for reasons never really explained, become involved with the widowed proprietress of a noodle shop, a really bad noodle shop. This principal story is essentially a Cinderella story and is sweet to watch. There are several vignettes along the way that have nothing to do with the principal story, all one-shot episodes 3-5 minutes but all focused somehow on food. There is one repeating vignette starring Koji Yakusho, who is described as an elegant gangster in a white suit and hat. He is most often with his girlfriend, the episodes are almost pornographic (so young children may need thier eyes covered, <snicker>) yet they also are moving in their way. The actors are fun to watch, not only for the generally good acting but also because of who they are; Ken Watanabe, Koji Yakusho, Nobuko Miyamoto, Tsutomu Yamazaki, Toshiya Fujita - think Meryl Streep, Jack Nicholson, a young Brad Pitt, Martin Scorsese, Robert DeNiro all doing a low budget film basically for the hell of it. The movie is a paen to food and to eating. It's funny, heart warming and occasionally tear-inducing. Just remember when watching that these people are not American and that as such they don't have American sensibilities and reactions. But this is well worth watching.

I first saw this film in a theater when I was in college then bought it on VHS. When I found it on DVD via Australia I had to buy it. Besides being a delicious comedy it is a great commentary on Japanese culture. If you want a linear tale this movie is not for you as it cuts between being a movie of a movie being shown (a ramen, not spaghetti western), the people watching the movie, and the previously mentioned commentary on Japanese culture and yet it is coherent, this is the magic of Juzo Itami. It plays better on larger and newer (hd) televisions, almost like watching it in a theater again, which is important since it is supposed to be like you are in the theater with the Japanese audience watching the movie that is within the movie. All of the experience seems better than watching it on a smaller, older television from a VCR. Yes there is a movie about a dandelion (tampopo) and ramen, you might even say it is a ramen jedi story as the traveling truckers do save the widow and her ramen restaurant from the bad guys and teach the widow and her son to stand on their own two feet and how to cook ramen just right. There is also the analysis, even the over analysis, of all things noodle and how the Japanese pride themselves in being more civilized with the noodle. But it is also the story of our movie watchers, the fated lovers (spoiler alert) who are at their last movie together. Unluckily Itami committed suicide so there are only a limited number of his movies and this is probably the best for westerners to be introduced to them. Once you watch this movie you will probably want to check his others like "A Taxing Woman" or "The Funeral". He definitely had a sense of humor and was intelligent.

I saw this movie in the theater when it was first released. It's an interesting mishmash send-up of movie genres, tied together with a compelling story with heart. Initially, it is sending up the idea of a spaghetti western ... a ramen western, get it? But gangster movies are referenced, along with old Hollywood romances. There is even a short sequence with a Chaplinesque hobo making a perfect omelet. Several old-time Japanese movie stars show up in cameo performances, along with Japanese favorites of the time- including a very young Ken Watanabe. Some of the humor might be lost on western- cultured audiences as there are sly references to Japanese rites and cultural rituals. A good example is a scene where a gourmet -loving group of homeless folk talk about and rate different vintages of bordeaux wines - a western- cultured snobbishness being chided good-naturedly. Then, as the old 'master' of the group is leaving, the homeless encampment stands up as one and sings to the master. Turns out, the song is traditionally sung by high school seniors at graduations in Japan, as a thank-you to the teachers... I only know this, as my husband chuckled and nodded knowingly at the moment (he matriculated in Japan...) I have to say that the movie didn't seem dated at all, and the r-rated food/nudity scenes seem as shocking/gross/ funny as they were the first time I saw them.... A great date night movie- make up a bunch of pasta ( be sure to save an egg or two for later...) and enjoy, with a very good bordeaux....

A perfect movie experience. I dare you to try not to crave noodles afterwards.

This is one of my favorite food-based movies. In this movie, the food truely takes the center stage. The main plot centers around Tampopo, a woman running a small noodle soup shop, trying to improve the quality of her noodles & soup. She is taught by a collection of noodle-experts from the unlikiest walks of life: a truck driver, a homeless noodle master, etc. The scene where the truck driver is coaching and timing her with a stopwatch (like an olympian in training) as she prepares food is one of several hilarious scenes in the movie. Her actions and expressions are great! You may find yourself going back to re-watch a couple of the sequences after you finish the movie -- they are quite funny. Another scene shows a noodle-master teaching an apprentice the art of eating a bowl of noodles - very funny. As a aside, Tampopo actually makes some excellent examples throughout the movie about customer service in general, knowing your customers, studying your competition. For example, the truck driver points out that she should look at each customer entering her restaurant to figure out whether the person is in a hurry, being leisurely, etc. And when the customer finishes, is there any soup left, why? Another good sequence is when one of her competitors discovers that she and the trucker have not finished eating their soup, is insulted, and confronts them. The subplots also all center around food in different settings ranging from: a business meeting, a hobo breaking into a restaurant in order to cook a gourmet omelet, women being taught how to eat noodles when visiting a foreign country, and an especially sensual sequence of the use of food in the bedroom. The sensual food use was quite sensual and well done, if not somewhat bizarre. These sequences involve some brief nudity, but are quite suggestive and very well done as such. But, this is also the reason I'm giving the movie 4 stars... I know you can't (and shouldn't) make a movie that appeals to all audiences, but in this case the sensual food use is not pivotal to the main storyline and will likely prevent some people (and kids) from watching or enjoying the whole movie, even though they would have enjoyed it otherwise. I liked the whole movie very much, but I've found myself somewhat selective in which sets of friends I loan the DVD to due to these (short) sequences. If you've seen A Taxing Woman and thought it was just ok (me too), don't let that stop you from giving Tampopo a try. I found Tampopo quite different and much funnier. If you liked A Taxing Woman then you are sure to like Tampopo. I will certainly watch, enjoy, and laugh at Tampopo again in the future.

Juzo Itami's masterful film about life and food takes us on an innocent romp through a variety of vignettes which manage between them to describe a remarkably wide and insightful sampling of human behaviour. Throwing a glance at the great Akira Kurosawa, and possibly a wry smile to William A. Wellman, Itami celebrates the great Western and Gangster genres by threading two plots through his irreverent patchwork of a film, but he does so as a way of creating reference points to keep the viewer from becoming confused and bewildered by what otherwise would be a series of shorts. Essentially Tampopo is a compilation of 5-10 minute shorts joined together by two stories of approximately 30 and 40 minutes. Yet this should deter nobody; there is something for everybody in Tampopo since we all love food and drama. Both satire and irony abound in the rich soup of Tampopo, yet the film still carries many important messages, several of which suggest desirable things we can do with food in settings as diverse as the bedroom, a posh restaurant, the kitchen, and of course that staple of Japanese culinary life: the noodle shop. Within this rich pastiche reside many original gems, including an explanation of the zen art of noodle eating, a sensually charged encounter with an oyster diver, and probably the most mouth-watering method of cooking eggs most viewers are likely to see. Note, the chef who prepares the eggs plays a vagabond off the streets, yet try to emulate his egg-cooking feat and my bet is it will take an experienced cook several attempts to get it right! Fun, astute, entertaining and informative, Tampopo achieves a type of magic that happens all too rarely in the cinema: the audience walks out all smiles, abuzz with comments and stories, and feeling both energized and optimistic, if for no other reason than they now have a clear idea of what they'd like for dinner!

👍👍Très belle histoire, on ne s'ennuie pas 👍

Enligt recensioner skulle det finnas japanskt språk och engelsk subtitles. Det finns endast japansk språk och fransk subtitles. Tyvärr var det lögn!

Incrível filme, restauração impecável e extras ótimos.

Ein liebenswürdiger Film, der von der unschuldigen Natürlichkeit der Myamoto lebt. Tampopos Begabung, ihr bedingungsloser Lerneifer, ihr rückhaltloser Einsatz und ihre vollkommene Bereitschaft, von Könnern Belehrung anzunehmen, machen sie endlich zu einer meisterlichen Köchin von Nudelsuppen. Diese Energie lädt hilfreiche Menschen, Meister und wissende Außenseiter ein, sie zu unterstützen und ihre aufrichtige Bemühung zum Erfolg zu führen. So bleiben denn zum Schluss auch die ersehnten Gäste für das von ihr geführte Lokal nicht aus. Dieser Erzählstrang wird einfallsreich garniert und durchsetzt mit zahlreichen fantastischen, skurrilen, überraschenden und aberwitzigen Szenen ohne direkten Zusammenhang mit ihm, in denen es immer ums Essen geht. Ich habe geschrien vor Lachen. Der Gangster und seine Geliebte führen auf deutliche, ja drastische Weise den Aspekt der Erotik des Essens vor Augen. Die Auftritte und Erscheinungsbilder der Männer weisen auffällige Bezüge zum amerikanischen Western und zum Mafia-Genre auf. Die Kampfszene zwischen den beiden Rivalen um Tampopos Gunst erinnern an den aufwändigen "Abschied" zwischen Gregory Peck und Charlton Heston in 'Weites Land'. Eine unerwartet schöne Chordarbietung von offenbar obdachlosen Pennern, alle Gourmets, überrascht mit einem Ohrenschmaus, der den allgemeinen sinnlichen Genuss aus einer zusätzlichen Richtung ergänzt und untermalt. Auch die Augen kommen nicht zu kurz, denn nicht nur werden die Gerichte optisch verführerisch ins Bild gesetzt, sondern wenn die sonst eher unscheinbare Tampopo sich plötzlich in Schale wirft und vor Glück strahlt, bricht sich überwältigende Schönheit Bahn. Auch die Gangsterbraut ist von ausgesuchter Schönheit. Soviel sinnliche Atzung erfüllt den Zuschauer mit Glücksgefühlen, wenn er denn fähig und bereit ist, diese zu empfinden. Hier zeigt sich Japan von seiner reichen, gewinnenden Seite. Wunderbar.

Un film un po' fuori dai canoni. Una bella storia, vari intrecci divertenti, il cibo indiscusso protagonista.