Blondie
Product ID: 3463997
Buy anything from 5,000+ international stores. One checkout price. No surprise fees. Join 2M+ shoppers on Desertcart.
Desertcart purchases this item on your behalf and handles shipping, customs, and support to UK.
Blondie: Deborah Harry (vocals); Chris Stein, Gary Valentine (guitar, bass); James Destri (piano, organ, synthesizer); Clement Burke (drums). Additional personnel: Ellie Greenwich, Micki Harris, Hilda Harris (background vocals). Producer: Richard Gottehrer. Reissue producer: Kevin Flaherty. Recorded at Plaza Sound Stuidos, New York, New York in August & September 1976. Originally released on Private Stock (2023) in January 1977, reissued on Chrysalis (1165) in September 1977. Includes liner notes by Mike Chapman. All tracks have been digitally remastered using 24-bit technology. Composer: Marty Thau. Personnel: Debbie Harry (vocals); Gary Valentine (guitar, bass guitar); Chris Stein (guitar); Jimmy Destri (piano, grand piano, Farfisa); Clem Burke (drums); Ellie Greenwich, Micki Harris, Hilda Harris (background vocals). Audio Remixer: Craig Leon. Liner Note Author: Richard Gottehrer. Recording information: Plaza Sound Studios, New York, NY (08/1976-09/1976). Photographers: Jonathan Postal; Ray Stevenson; Bob Gruen. Recorded in 1976, Blondie's self-titled debut was part of the New York City/CBGB's crowd's initial salvo of punk/new wave, radically different from anything in the American mainstream at the time. While other CBGB scenemakers strove for either artiness (Television) or primitivism (Ramones), Blondie was always about pure pop, served with a healthy dose of irony. Its early-'60s rock & roll/girl-group roots were never so apparent as on this album--"In the Sun" sounds like a classic slice of sunny '60s West Coast pop, while "In the Flesh" reaches even further back for a '50s ballad feel. The sly lyrics, Debbie Harry's knowing delivery, and especially Jimmy Destri's gloriously cheesy organ riffs make it apparent that revivalism was never Blondie's intention; the band simply used the past to hijack the punk present and lay claim to a new wave future. Over the next few years, countless groups would adopt the template laid down on the first couple of Blondie album Review: "Acting like a soap opera queen..." - Blondie were a fascinating new wave band. And their self-titled debut album is the best place to start. This album was probably the band's most "new wave" sounding record. But even from the beginning, the band always cleverly mixed different musical genres into their songs. You can hear a touch of bluegrass on the sassy, "Little Girl Lies", and you can also hear a little bit of Southern California pop on "In The Sun" and "Man Overboard". Debbie Harry was and STILL is an accessible, outrageously talented singer/songwriter. Her voice can fluctuate between a soft, sexy alto on the deeply romantic, "In The Flesh". And then her voice can take on a feisty, soprano edge on my personal favorite, the deliciously snarky, "Rip Her To Shreds". Of course the rest of the band were extremely talented as well. Co-founder Chris Stein (Debbie's boyfriend at the time) demonstrates his genius brilliantly on the avant-garde, "The Attack of the Giant Ants" which is filled with trippy, sound-effects and a gorgeous piano solo at the end of the track. Keyboardist Jimmy Destri proved he always that effortless, pop sensibility and a flair for spacy synths on tracks like "Look Good in Blue" and "A Shark in Jets Clothing". Everyone KNOWS Clem Burke was the "brain" behind Blondie's signature sound. His drumming and timing were impeccable! Bassist Gary Valentine was also a vital part of the band, even though this was the ONLY Blondie record he is featured on. Valentine left the band a year later, but he still left us with a great track, the risqué opener, "X Offender". There isn't one bad song on Blondie's debut album. I also enjoy the incredibly strange, "Rifle Range" and the energetic, "Kung Fu Girls". This album was produced by Richard Gottehrer. He also produced the band's sophomore album, "Plastic Letters". I thought Gottehrer was an important stepping stone for the band. He really encouraged the band to stay true to their infectious sound. I like how the album has this cool, timeless edge. This record didn't make Blondie a household name, (that wouldn't happen until the release of "Parallel Lines") but every band has to start somewhere and what an incredible start it was. Enjoy! Review: The music of my childhood - I listened to Blondie when I was maybe 12, and just returned to it recently. I was surprised at how well the music aged. Clem Burke’s drumming is still furious and driving, and of course Debbie Harry’s voice is still amazing. The remastered tunes sound great and still sound fresh to me.
| ASIN | B00005MNP5 |
| Best Sellers Rank | #72,144 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #805 in New Wave #2,070 in Dance Pop (CDs & Vinyl) #7,183 in Alternative Rock (CDs & Vinyl) |
| Customer Reviews | 4.7 4.7 out of 5 stars (518) |
| Date First Available | December 7, 2006 |
| Is Discontinued By Manufacturer | No |
| Item model number | 2127024 |
| Label | Capitol / Chrysalis |
| Language | English |
| Manufacturer | Capitol / Chrysalis |
| Number of discs | 1 |
| Original Release Date | 2001 |
| Product Dimensions | 5.87 x 5.63 x 0.43 inches; 3.53 ounces |
A**R
"Acting like a soap opera queen..."
Blondie were a fascinating new wave band. And their self-titled debut album is the best place to start. This album was probably the band's most "new wave" sounding record. But even from the beginning, the band always cleverly mixed different musical genres into their songs. You can hear a touch of bluegrass on the sassy, "Little Girl Lies", and you can also hear a little bit of Southern California pop on "In The Sun" and "Man Overboard". Debbie Harry was and STILL is an accessible, outrageously talented singer/songwriter. Her voice can fluctuate between a soft, sexy alto on the deeply romantic, "In The Flesh". And then her voice can take on a feisty, soprano edge on my personal favorite, the deliciously snarky, "Rip Her To Shreds". Of course the rest of the band were extremely talented as well. Co-founder Chris Stein (Debbie's boyfriend at the time) demonstrates his genius brilliantly on the avant-garde, "The Attack of the Giant Ants" which is filled with trippy, sound-effects and a gorgeous piano solo at the end of the track. Keyboardist Jimmy Destri proved he always that effortless, pop sensibility and a flair for spacy synths on tracks like "Look Good in Blue" and "A Shark in Jets Clothing". Everyone KNOWS Clem Burke was the "brain" behind Blondie's signature sound. His drumming and timing were impeccable! Bassist Gary Valentine was also a vital part of the band, even though this was the ONLY Blondie record he is featured on. Valentine left the band a year later, but he still left us with a great track, the risqué opener, "X Offender". There isn't one bad song on Blondie's debut album. I also enjoy the incredibly strange, "Rifle Range" and the energetic, "Kung Fu Girls". This album was produced by Richard Gottehrer. He also produced the band's sophomore album, "Plastic Letters". I thought Gottehrer was an important stepping stone for the band. He really encouraged the band to stay true to their infectious sound. I like how the album has this cool, timeless edge. This record didn't make Blondie a household name, (that wouldn't happen until the release of "Parallel Lines") but every band has to start somewhere and what an incredible start it was. Enjoy!
A**D
The music of my childhood
I listened to Blondie when I was maybe 12, and just returned to it recently. I was surprised at how well the music aged. Clem Burke’s drumming is still furious and driving, and of course Debbie Harry’s voice is still amazing. The remastered tunes sound great and still sound fresh to me.
T**E
Fast Break
This debut album is brilliant! Blondie captures that girl group sound that Phil Spector rode to fame with back in the 60's. However, this isn't Ronnie Spector with a studio band, Blondie is a band and this band complements it's lead singer with excellent songwriting skills and a musical backdrop that gives this project an extremely promising future. I've been playing this record to death - even went out and bought the vinyl version. The CD gets the edge because the bonus songs on this disc are fantastic! "Platinum Blonde", indeed!!!!
W**1
not as good as "Parallel Linesp"
It is Blondie, it is a greatalbum, not as good as "Parallel Linesp", in my opinion, but it still holds up.
J**S
BUY THIS ALBUM!
This is a great showcase of Blondie in its early days. They were a part of the emerging "punk rock" scene in lower East Side New York. This shows their grittier side ... the rocking Debby and group! I "discovered" them with this album and was happy to find it again at such a good price. I know I am biased but I can remember that when I played this record (yes, I owned it as a record) my friends all said "Blondie who?" Then, when Parallel Lines came out, everyone wanted to hear their origins. Before they "disco-fied" they were the greatest band I ever heard! You owe it to yourself to listen and learn what a great band sounds like! BUY IT
P**S
Digital remaster?
Fun happy music from the most influential band of our generation. The first group to cross rock, disco, rap, new wave and punk in a way that really works. This group is the 'real thing' not like the sea of wanna be's in the mainstream today. I bought this cd to replace the original issue I got years ago because the original cd didn't sound anywhere near as good as the vinyl LP. This one says its digitally remastered but it doesn't sound any better than the original issue. I was expecting more clarity and higher quality sound and it isn't there. This one comes with really cool extra pictures and several extra songs so it is worth buying for sure but don't expect it to sound as good as vinyl.
I**L
The Debut of a Great Band
This is the first Blondie album that I heard when I was two years old. I remember sneaking it out of my sister's room and into my room and playing it over and over. This is the album that introduced Blondie to the world. Debbie Harry's voice was amazing and still is. One of the best albums by one of the best bands in rock & roll.
M**.
Blondie
One song skipped until I gave the album a good deep cleaning and it went away. Blondie's debut album. Another great piece of rock n' roll history. Sounds great on 180 gram vinyl. No skips (now any way) or surface noise and lays flat and well centered. Lovin' it!
D**E
Está en perfectas condiciones
S**D
Igual que puse en las otras reseñas sobre Blondie. Música genial y muy buen pressing y rip mp3.
S**F
Sehr gute Pressung war überrascht.
M**C
bien reçu et bien emballer
M**K
WOW What An Album This Truly Is, To Think That This Album Is Blondie Debut Album ( Yeah I Know Incredible Isn"t It) Is Really A Great Achievement By Any Group/Band, Starting Out. Although Blondie Had Been Tagged As A Punk Rock Group When They Played Alongside Their Punk Hero"s , (THE RAMONES AND PATTI SMITH,) At The Famous CBGB Venue, All Blondie Wanted To Do Was To Play Their Songs And To Be Heard, Playing Some Rock, Punk Music , Soon The Band Started To Gain A Following Of Their Own With Increasing Popularity And Stage Presence . In 1975 Blondie Began To Record Their Self Titled Debut Album And What A Fantastic Album It Is, Right From The Start Of The Needle Touching The Vinyl On The Turntable , We Hear The Soft Vocal Tones Of Deborah Harry Then After The First Four Lines Of The First Track X OFFENDER , Debbie Lets Loose With Her Stunning Voice (she can read me my rights anytime) . Each Track Afterwards Is Brilliant And Not Really A Bad Track On It, The Album Is Pure Solid Rock With Some Punkish Style As Well , That Blend Together Superbly , It Was Clear To Anyone That Blondie Were Here To Stay For A Very Long Time ...And They Are Still Going Strong 40 Years On, So It Makes Perfect Sense To Release Blondie"s Albums Again On Vinyl And To Be Given The Remastered Treatment With A 180 GRAM HEAVYWEIGHT L.P. RECORD EDITION, Which Is So Amazing Than The Original Release Because Of The Fantastic Sound Quality That We Hear On This Excellent Album...So I Most Strongly Recommend That You Buy This Album On Vinyl And Transport Yourself Back To 1975 And Enjoy The Fantastic BLONDIE. ......GO BUY IT NOW.
Trustpilot
2 months ago
2 weeks ago