INTERSCOPE La La Land

映画のサウンドトラックです。 これと言った感想はありません。 この映画の音楽が好きな人で、レコードで再生している方におすすめです。

Excellent shipping service. Received in perfectly fine condition. This music is a treat for ears. Must have collectible.

Il film lo conosciamo tutti, un altro piccolo capolavoro di Damien Chazelle. Ho potuto acquistare questo vinile ad un prezzo relativamente basso e ne sono rimasto piacevolmente sorpreso. La qualità audio non è affatto male, il vinile non salta. La custodia è liscia e vi sono impressi i nomi delle tracce, i compositori, la durata e altre informazioni relative ai brani. Consiglio l'acquisto!

Es el soundtrack de la película, gran calidad, llegó en buen tiempo y buen estado. Nos quedamos con las ganas que el vinil fuera azul. Fue un gran regalo de navidad✨

La La Land Having directed and also worked as a lighting designer on numerous stage musicals, and as a big fan of the Hollywood movie musical, I was pleased to see Writer/Director Damien Chazelle’s new offering, La La Land. Had he hoped to revive the Movie Musical in the new millennium, his motion picture is well on it way to that goal. I realize musicals are not for everybody, with the premise of breaking into song and dance at the high and low dramatic moments as too unrealistic for some. Not me though. The no credits opening sequence simply begins with a Cinemascope logo expanding to reveal stopped traffic on a Los Angles freeway. After panning past the stranded motorists a lively musical intro leads into a girl singing Another Day in the Sun. As she exits her vehicle others join in an exuberant song and dance all over cars choreographed by four-time Emmy nominated Mandy Moore (not the actress). What is impressive is the fluid movement during this whole musical sequence when you begin to realize that this seamless action is almost one continuous camera shot with a minimum of cuts – a tremendous undertaking accomplished by cinematographer, Linus Sangren. "Another Day in the Sun" alone is worth the price of admission. Sangren successfully uses this continuous “no-cut” camera work on another musical sequences. Also as a theatrical lighting designer myself, I appreciated the use of theatrical styled lighting, where many moments the lighting is dimmed with only a single light is focused on the actor or cross fades much as it would appear in a stage production. Justin Hurwitz provides a very listenable score and songs that should appeal to traditional musical theater fans and to a new generation of ears interwoven with traditional jazz themes. While there may not be the single hummable melody emerging from the score, Hurwitz brings a fresh take on the movie music form. Sebastian (Ryan Gosling) is a struggling traditional jazz keyboardist whose dream is to have his own club. Mia (Emma Stone) is a barista and aspiring actress who just seems to go to an endless stream of auditions. She also dreams of writing her one-woman show. After several awkward chance meetings, they finally come together in the ballad, “A Lovely Night” dancing atop a vista over Los Angeles. Sebastian has an opportunity to play in a novo-jazz fronted by former college friend Keith (John Legend) that becomes a popular hit but is keeping him apart from Mia while on tour. Mia finishes her one woman play and books a small theater to perform her work. Sebastian feels he has sold out his dream and Mia feels her play is a failure and she returns to her parents home. Gosling and Stone, while not possessing Broadway belt voices, both have pleasant singing styles very suited to the Hurwitz score. Their on screen chemistry is believable and their dance sequences together, while not of the same level as from the golden age of movie musicals, are a treat. If you like musicals or just a pleasurable escape, that had me smiling throughout, then the film, La La Land is your movie.