Parasite - 4K Ultra HD + Blu-ray + Digital

𝑷𝒂𝒓𝒂𝒔𝒊𝒕𝒆: 𝑨𝒏 𝒐𝒓𝒈𝒂𝒏𝒊𝒔𝒎 𝒕𝒉𝒂𝒕 𝒍𝒊𝒗𝒆𝒔 𝒐𝒏 𝒐𝒓 𝒊𝒏 𝒂 𝒉𝒐𝒔𝒕 𝒐𝒓𝒈𝒂𝒏𝒊𝒔𝒎 𝒂𝒏𝒅 𝒈𝒆𝒕𝒔 𝒊𝒕𝒔 𝒇𝒐𝒐𝒅 𝒇𝒓𝒐𝒎 𝒐𝒓 𝒂𝒕 𝒕𝒉𝒆 𝒆𝒙𝒑𝒆𝒏𝒔𝒆 𝒐𝒇 𝒊𝒕𝒔 𝒉𝒐𝒔𝒕. Parasite is a 2019 South Korean black comedy thriller film directed by Bong Joon-ho, who co-wrote the screenplay with Han Jin-won. The film, starring Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Jang Hye-jin, and Lee Jung-eun, follows a poor family who scheme to become employed by a wealthy family and infiltrate their household by posing as unrelated, highly qualified individuals. To begin with I want to give more of a heads up than anything else for my followers who can empathize when I say: foreign films can be conceptually intimidating. I've never been very good at giving a movie in my full intention (This applies to even the ones that I like. I know. Shame on me.). That said: Joon-ho’s Adoration for he Coen Brothers is in full effect here with ‘Parasite’ being filled with exceptionally heavy dialogue. What's important to note, however, is that this isn't to a detriment, and is instead 𝒓𝒆𝒒𝒖𝒊𝒓𝒆𝒅 to escort viewers through a maze of tonal shifts and significant points of Discord or chaos. If I might indulge I would say that it is difficult to neglect commenting on the pacing and which ‘Parasite’s exposition is developed. Conflicts and their subsequent solutions emerge inconsistently and at times makes the narration seem mildly distracted by the bigger purpose it obviously has in mind. A large amount of deception must be fulfilled in order to force ‘Parasite’s hand, and as a consequence of this it becomes naturally filled with plot holes that are not easily filled or ignored outright. This is only excavated by the extent in which some overwhelming convenience and detached coincidences are to carry much of ‘Parasite’ through its first half. Regardless, expertly crafted tension makes this one point that is easily forgiven and temporarily stifles this complaint. What might come as a surprise to viewers is that Joon-ho originally conceptualized ‘Parasite’ as a play; with a clear understanding of the advantage specific vantage points can play in addition to the intricate set design the chance to make this a feature film is seamlessly unparalleled. Voyurist motifs are integrated as a way of instigating a “predator versus prey” dynamic between the Kim and park family with certain features (like stairs) literally elevating the sharp contrast between the complacently wealthy and the begrudgingly impoverished. Equal parts forthcoming and mysterious: Hong Kyung-pyo executes Joon-ho’s vision with the use of visual disparities that are endlessly stunning. (Fun fact: The set design of the affluent Park family house was made completely from scratch in addition to the view of the environment just immediately outside of the Kim’s family home). I have yet to know if any film has claimed an official monopoly on plot twists - but if so ‘Parasite’ is a more than worthy contender. From the first moment of climatic surprise Joon-ho and Jin-won put their foot on the accelerator with no intention of laying off of the metaphorical gas that keeps viewers guessing. This isn't just to say that some conclusions are completely unexpected - because in hindsight some seem unavoidable in the grander context - but the delivery throughout remains hauntingly engaging. Over time its viewers become a piñata with ‘Parasite’ acting as a fustigating stick: with each of its devastating blows any sense of optimism (and quite literally some jaws) are forced into a state of submission that mimics the ground underneath them. Ushered along by a class act of ‘Chameleon-aires’: ‘Parasite’ transcends above what would otherwise be mundane and monotonous commentary as it relates to fiscal and social stratification. Taking away ( but not completely removing) avenues of sympathy while remaining ambiguously hopeful - the gaps between what someone is, what someone aspires to be, and what someone is capable of a coming are violently exploited, meticulously explored, and proficiently examined. An archaic reminder transformed by an excess of cruel originality: ‘Parasite’ stresses the importance of being careful what you wish for... because in the end you just might get it (and more). I would recommend. Side note: In watching this my 'favorite first watch of 2021' has been officially dethroned.

One of our favorite Korean movies! Such a twist and turn! A much watch!

I had put off watching because of English subtitles only, however in a few minutes reading becomes automatic. 100 % wonderful movie, outstanding actors, twists and turns until the end, unique storyland.

Let me start by saying I'm a fan of director Bong Joon Ho. That doesn't mean I blindly accept all his films are great works of art, but this one is definitely worthy of all its accolades. If you go in knowing the premise of the story, it doesn't hit the same way as if you go in blind and unprepared for what you're about to see. It's thought-provoking and tragic in nature as it examines the depths of humanity and the very defined line in between classes. If you're unfamiliar with Korean cinema, it does what Korean cinema has become famous for- blending film genres and transitioning seamlessly from one genre to the next. There are comedic moments (though black humor at best), tragic ones, heartbreaking ones, discouraging ones, and moments that leave you unsure of who to root for- because at the heart of the matter are any of us heroes? or are we all just selfish beings that can easily turn into the villain. It's storytelling at its finest because it's a story about life and humanity- all of us no matter our class are inherently messed up. That truth is especially driven home by a scene where the rich couple allows viewers into their private moment of lovemaking and we see that their own turn-ons and desires for a darker lifestyle are just one small step away if they would let themselves go. To those who rate the film as trash or give it one star, I hate to say but they're either very immature or simply not intelligent enough to enjoy a truly artful film that requires thinking and retrospection. Theyre most likely the ones who rave over superhero movies or think frighteningly childish films deserve an Oscar. Meanwhile, others I've seen are just racist, sadly. Refusing to admit that anything done by non-English speaking people is worthy of consideration or accolades. That was driven home once more when this film won Best Picture at the Oscars tonight and I was reading through netizens' reactions online. Patronizing at best and horrendously racist at worst, their "reviews" shouldn't be taken into consideration at all. Granted, this isn't a film for everyone. If you like simple stories that are told in big, glaring letters across a screen where heroes are clearly markes and villains get their pay day in the end, this isn't the film for you. If you like action-packed and clever dialogue, this isn't it either. But if you like seeing a complex storyabout a seemingly simple family told through the eyes of a truly gifted director and producer, this film is a winner. I've watched it a couple of times now and it still appears fresh with each viewing. Masterfully acted by some of Korea's finest actors, the cast also gave a stellar performances.

Define "Social Thriller" - a film which discusses themes about the oppression of society. This is the type of genre that might best describe what PARASITE (2019) basically is. It is also a black comedy thriller, as well, basically a cross between a Coen Brothers-style black comedy and a Hitchcockian horror-thriller, and one that takes you completely by surprise. I had already known who Bong Joon Ho, was having seen two of his films: The Host (2006), an amazingly done monster film and family drama, and the underrated Memories of Murder (2003), which might be my favorite detective/serial killer film. So when I heard of his new film Parasite, as well as the huge praise it was receiving, and what it was about, I knew it sounded like my kind of film, and that I had to see it. Couldn't find it in my store, but thanks to Amazon's wonderful service, I was able to get it on DVD. And it was absolutely worth it, after my first watch, I actually ended up watching six more times almost back-to-back, it was that seriously good. PARASITE is Bong Joon Ho at his very best, a wonderfully done film that is deserving of its praise. Once it starts, I was so deeply invested into it, that the language barrier and subtitles stopped feeling like a bother when watching. And it is so deeply layered with themes and subtext, that it might require a few viewings to get them all, but I do kind-of see the film as the perfect culmination of other similar 2019 films (those being US and JOKER) that had also explored socio-political themes about classism, class division, and "the poor vs. the rich". I can assure you that PARASITE is a film that must been seen, and I strongly believe that it now earns a place on the list of Greatest Movies Ever Made in Cinema History along the likes of The Godfather, Fargo, and Shawshank Redemption. The kind of movie that will leave you thinking even after the movie is over. I seriously believe that PARASITE is quite possible the best movie of 2019, bar none.

Parasite is one of those movies that grabs you in the first few minutes and refuses to let go. It’s hysterical, sharply written, and full of moments where you’re laughing one second and holding your breath the next. The characters are unforgettable — messy, clever, desperate, and weirdly lovable — and the way their lives collide is both chaotic and mesmerizing. What makes the movie so amazing is how it balances humor with tension. Every character brings something different to the story, and watching them navigate their complicated, layered relationships is half the fun. It’s smart, stylish, and full of surprises, and even after it ends, you keep thinking about the choices everyone made.

I had heard for a month or two about this new Korean movie called Parasite, and everyone who had seen it told me it was great, it was different, it was hard to categorize, it was intriguing. Having now seen it myself, I would agree with most of those opinions, however, maybe all that praise set me up for disappointment, because in the end I wasn't as impressed by the movie as most people seem to have been. I went in expecting to be blown away, and for the first half of the movie I was -- the acting was great, the plot interesting, the style entertaining -- but it seemed to lose steam as the second half of the movie unfolded. I found certain aspects of the plot very predictible (semi-spoiler alert): the arc of the father, for instance, was laughably obvious ("he never crosses the line" one character says about him -- oh yeah? I thought, well I bet he will cross the line by the climax of the movie! And sure enough...). The tone was also uneven, as if the film forgot how it had started out and began to turn into a stone-faced drama despite its own best efforts. One of the strongest aspects of this film is the acting , and that cannot be denied. I just wish the script had lived up to the full potential of a great cast and great director. All in all a good film, but ultimately not quite the jaw-dropper that the hype-machine had suggested.

Parasite is a gripping, frightening film that asks us what we’d be willing to do if we didn’t have any money. But also, what we would be like if we did have more than plenty. Within the world of Parasite people one family has little to none, living in a basement where others feel free to literally pee on their world. The world they work their way into is one of wealth and plenty. So do they have the right to take from that bounty? It’s at once frightening and gripping as they inch their way Ito the lives of their employers and in some ways, take over. But what about their employers? There are many takes on what’s going on and what kinds of people these are. But things take another turn when.... I’ll leave that to you. No spoilers here. There are subtitles, so for anyone uncomfortable or unused to them, we suggest you watch a couple times - it helps. But not just for watching the movie, but finding the little details that provide all the more to discuss - a good movie can keep people taking for awhile. So when this family of four from the “wrong side of the tracks” seeks a better life, they do so by moving themselves - through devious means - into the lives of their wealthy employees, only to “take over” and in the end, lives are destroyed. How? Why? Is it money? Is it the willingness to do anything for money? There are a lot of questions here, but the audience is the one who truly has to ask itself what the answers are... That kind of film - while still entertaining - is also a great way to keep my wife and I coming back. There is a reason why Parasite won the Oscar. It is very well done on several levels.

A estas alturas todo el mundo sabe que esta película ganó los dos premios de la Academia a Mejor Película y la Palma de Oro en Cannes. La historia sigue a la familia Kim y sus condiciones precarias de vida. Un día el hijo menor, Ki-woo, recibe una oferta de trabajo en la casa de los Park, quienes viven una vida opulenta. Poco a poco, una serie de sucesos tanto divertidos como impactantes ocurrirán. Una de las mejores películas que se han hecho en décadas. La edición de Universal tiene excelente calidad de audio y video. Los extras no son muy abundantes, pero se disfrutan. Sin subtítulos ni doblaje al español. Video: 2.40:1 1080p Audio: coreano dts-HD Master Audio 5.1 (24 bit, 48 khz) Subtítulos: Inglés.

Great quality

Enjoyed watching this movie.

Edición estándar pero decente de todo un clásico de los últimos años. Lo malo es que es un Blu-ray de región A, por lo que necesitas un reproductor multiregión. De extras tiene varios tráilers y un pequeño coloquio del director.

Excelente qualidade, para quem se interessar em comprar: Legendas somente em inglês.